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I mean, these are the guys who gave the world " Can’t Hardly Wait", " Kiss Me On The Bus ," and " Unsatisfied", so the level of shit you let yourself take from them was going to rightfully be a bit higher than usual. For every one of the low points, though, there were stratospheric highs that made it all worthwhile. To be a fan of the band and root for them to succeed was to tolerate a certain amount of abuse. Every show where a major label rep happened to be in the audience that turned to shit, every hundred dollar bill that they literally set fire to, that time they got banned from SNL after destroying the dressing room and on and on. You get the feeling that a trauma that was inflicted, delivered in the form of squandered potential, and everyone who’s on screen has processed it only to varying degrees. You need not look any further for evidence of that than the way some of the band's’ biggest backers talk about the group in the interviews that make up Color Me Obsessed. Being a tried and true fan of a band can be an intense experience, and few bands dragged the people who loved them through such extreme highs and lows as the Replacements.